The Prop Master’s Life
Tuesday September 02nd 2008, 3:49 pm
When we spoke with Film Production grad April Laird for our The Many Faces of Film story, we were so intrigued by her career as a prop master and art director in L.A., we knew we’d have to follow up. Fortunately, she was kind enough to respond to our quizzing about her path, her projects, “day playing” on the likes of Heroes and Joss Whedon’s Dollhouse, and what My So Called Life creator Marshall Herskovitz teased her about on the set of the web series Quarterlife.
We’ve talked previously about how you were drawn to the art department while at VFS. But what got you to VFS in the first place? How did you go from an English lit degree to a film education?
Even though I was a huge history and literature nerd growing up, film has always been my main interest. I read a lot as a child and a teen, but spent many more hours in front of the TV or at the theater. My parents used to take me to a place called the Cinema Grill in downtown Atlanta every week as a kid; I saw several really great movies there that most kids my age weren’t allowed to view. Instead of staying at the dreaded “Kid Stay N’ Play”, I was with my parents watching films like Goodfellas, Silence of the Lambs, and Pulp Fiction as a 8- to 10-year-old. Some might say I was still too young to be viewing R-rated films, but I attribute those Friday nights to my love of film.
Quarterlife made a splash online - but didn’t get much of a chance on network TV. How did its medium influence your work as on-set prop master? How was your experience on the production, overall?
Although it truly wasn’t meant for network TV, Quarterlife was a brilliant show and was the #1 webisode by a landslide during its debut. I got involved with the project through a well-known television prop master, Rich Hobaica, who hired me after interviewing 7 people. Suffice it to say, I was blown away I was picked and really nervous about being able to handle it by myself. It would be the first time I was a prop master for something of its budget and size, and I wanted to make the best impression possible.
There were 6 principal characters on that show! I worked like a nut, but it paid off in the end. The show flipped and I was inducted into the Local 44 art union as an assistant prop master. That show has given me a lot of work since in referrals, and I made a lot of close friends from the cast and crew as well. It’s obviously cliché to say, but it really was like a family. I had a blast! It’s a shame we haven’t gone back for another season.
So, has anyone ever told you that you kind of look like Claire Danes?
Indeed, several people have said that to me over the past couple years, even though I still don’t really see it, haha. Obviously, working with the creator of My So Called Life, Marshall Herskovitz, it came up a lot on the set of Quarterlife. Marshall and some of the other crew teased me about it often.
Seems like you’ve been pretty busy the last couple of years. The low-budget Pizza With Bullets with Vincent Pastore, Tony Devon, and Talia Shire: what were the challenges for the prop master? It’s a mafia story - that had to be interesting.
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